A500 Signature Edition, Ibenholt

The PTT6.5X04-NFA-01 is a 6.5” driver that truly cracks the extended-stroke code. PURIFI’s research has identified the parameters that have so far prevented extended stroke drivers from breaking through in truly high performance audio. The distortion of the acoustic output of a driver is a combination of several separate distortion mechanisms in the motor, cone and suspension. When testing a complete driver with sine waves, a situation often arises where a small tweak seemingly improves harmonic distortion (HD) by letting two mechanisms counteract each other. This always leads to a clear worsening of intermodulation distortion (IMD) that becomes obvious when testing the unit with a more complex signal. This is why traditional HD tests fail to predict subjective sound quality.

PURIFI takes care to optimize the various distortion mechanisms separately, thus guaranteeing that any measured improvement truly reflects a real audible improvement no matter what the signal is. Accurate mathematical models are developed for the motor, suspension and the vibroacoustics of the dome and surround. These models clearly explain several distortion mechanisms in each domain, which provides fundamental insights into better ways of constructing the motor, cone and suspension. Finally, the same models are used to numerically fine-tune the geometry. This way of working reliably reduces multiple distortions mechanisms which secures low IMD for complex signals.

Low Force Factor Modulation

- Prevents voice coil current from modulating Force Factor (Bl). The PURIFI motor completely avoids this classical Achilles’ heel of long stroke drivers. This translates into low intermodulation (IMD): clean, undistorted midrange even in the presence of a heavy bass.

- Equates to low impedance modulation, meaning that drive current is not distorted by cone motion.

Very Constant Force Factor over Excursion

- Prevents voice coil position from modulating the force factor. This is the classical cause of “burbling” i.e. amplitude modulation of the midrange by large low-frequency cone excursions.

Low Surround Radiation Distortion

- The surround contributes to sound output. Conventional surrounds produce distortion as they deform. PURIFI’s Neutral Surround geometry avoids this mechanism without constraining motion. This reduces harmonic distortion as well as intermodulation distortion.

Low Magnetic Hysteresis Distortion

- Hysteresis means that magnetic domains in iron retain traces of previous magnetization / demagnetization cycles which cause distortion when magnetized or demagnetized again. This distortion masquerades as benign harmonic distortion when tested with a sine wave but takes on a crackling or noisy character with more complex signals.

- Removing hysteresis distortion translates into a very “fluid” presentation with excellent front/back separation in the stereo image and a perfectly black background between instruments.

Cleaner than large-cone short-stroke drivers.

- The combination of the above characteristics results in a compact long-stroke driver that delivers complex sound with a clarity and lack of effort that was previously the exclusive province of large-cone short-stroke drivers. Additionally, thanks to the small cone size, the driver has excellent midrange reproduction. It is highly suited for two-way systems.

For the A500 and A700, we used the foundation and award-winning acoustic configuration known from the Buchardt S400 and looked at it with fresh eyes. What can be improved even further? We know why the S400 works so well already, it is because of proper engineering and scientific approaches to perfect it. Our waveguide design carries a lot of the answer to that with the directivity matched perfectly with the woofer to make the transition from woofer band to tweeter band practically inaudible at any angle in front of the speaker. Further, we used 2700 measurements all the way around each driver (5402 measurement points in total), to evaluate at each single point around the speaker, to determine if something could be improved further. With the S400 we optimized this to a level that is practically unheard in this price range of speakers, due to state-of-the-art measurement data – and some of the most advanced analysis tools ever made. So – what is yet to be improved in the A500 and A700? A lot!

So the good news is that most present-day loudspeakers tend to sound pretty good on-axis. What's also true is that there are still many loudspeakers that perform rather poorly as soon as you move off-axis. Since most research suggests that what we hear in-room is estimated to be around 12% direct sound (from your speakers), 44% Early Reflections (from your room), and 44% Sound Power (how the sound loads your room), we strive to create solutions that'll deliver predictable, consistent, and excellent results both on and off axis – regardless of the living space!


Note how the A500 possesses nearly the same frequency response on-axis as it does in the off-axis

This shows the contour response of A500 (how a speaker spreads the frequencies off-axis). A500 keeps and controls the directivity from 1000 hz and all the way up.

What this translates to is a non-distorted, evenly distributed in-room frequency response that allows the A500's to sound balanced even at extreme angles, which in turn allows the enthusiast to enjoy sundry benefits like improved imaging, a bigger soundstage, and better transparency. This excellent off-axis response will also result in a drastically widened 'sweet spot' and most importantly, a character that will remain steadfast even as you move around your home as the music plays.



We've found that this trait best suits most people’s rooms and lifestyles. Especially those with untreated rooms. The bottom line? The A500 is capable of delivering exceptional in-room performance in any r

So how did we tame the controlled directivity beast? Simple! Through our Constant Directivity Control waveguide! Ok, so maybe the solution isn't that simple. The design itself is the result of a couple very smart people, a number of prototypes, and a super expensive holographic nearfield scanner that we were lucky enough to have access to. This scanner measures 5,402 points around the speaker, this allows us to know exactly how the speaker behave from all possible angles. Thus allowing us to design the perfect waveguide, without suffering any of the major drawbacks! One unique aspect of our waveguide design is that it's designed to match the contour plot of the woofer down to 1000hz, making the tweeter and woofer work as one driver at the crossover point.


Of course, that's only a part of the battle. We also had to phase-align the drivers which is why we have placed the waveguide under the woofer along with leaning the cabinet slightly backwards, all the while making sure that the edge diffractions from the cabinet were reduced by 90%, which is the result of a small tweeter and a very deep waveguide. The result is a sound that's powerful, evenly distributed, and projects freely without 'sticking' to the cabinet. It's just one more important step towards creating a small speaker that sounds full and natural.

Ok so first, it's not the size that counts! Still, we get it. Most tweeters measure up to 25-29 mm. Some enthusiasts may feel that our tweeter is a bit... inadequate. We aren't intimidated or ashamed though, because when you get right down to it, there are advantages and disadvantages to tweeters of all sizes.

As an example, larger tweeters tend to be popular because of their power handling and frequency bandwidth, which allows them to be crossed over at lower frequencies. The caveat is that these larger tweeters do not tend to sound as good off-axis and, subjectively speaking, do not sound quite as good (to our ears) as a smaller, well-engineered tweeter. For us, it's all about performance. And when you get right down to it, the 19mm tweeter that we use fits our goals perfectly.

For one, the measurements are about as ideal as we've found. Secondly, the off-axis performance is tremendous. Any of the limitations that would normally come from using this tweeter has been mitigated by our deep waveguide. The end result is exactly what we were looking for. Top end that's effortlessly free of distortion, resulting in a presentation that's clean, detailed, powerful, and perfectly integrated with the rest of the speaker.

The A500 and A700 speakers features the best wireless audio technology available. They can support wireless transfer from any WiSA transmitter with a lossless resolution of 24bits/96kHz and with a synchronization error between the speakers of less than 1 sample with the shortest available latency.

This means that we can ensure that the package of bits stored in the mastering studio where the music is recorded can be transported without any loss directly into the heart of the speakers, where our perfectly matched signal path takes over the processing of the data. The benefit of the WiSA technology is, that not only is the signal transfer lossless, it is also controlled in the receiver side, such that the actually received data corresponds 100% with the data sent out. If not, it is sent again. Therefore, we are 100% sure, our speakers are provided with the exact same signal as input to the system. No coloration or degradation. This pure digital signal (PDS) is fed directly into our quad-core DSP, where we do state-of-the-art processing, to optimize the signals for each individual driver to perfection.

A DSP itself does not do anything. Used carelessly, a DSP will not help you a lot. But used with proper care and deep analysis, a DSP can bring you very far. But – our DSP is much more than just an advanced crossover network between the audio signal and each of the drivers.

DSP equalization perfected

We have 2700 measurements available for each driver, When run through our own advanced analysis tool, it enables us to distinguish the different acoustic phenomena to the degree that we can also judge which nonlinearities to compensate and precisely how, and which not to touch. We will analyze the effect of our EQ on each of the 2700 measurement points around the speaker, and evaluate the impacts in each point, to judge the acoustic effect of a given correction. With properly set targets, the effect of this EQ approach is an improvement so far unheard. With this technology we can very accurately eliminate system resonances, because they will appear equally bad to all directions, whereas, for example some diffractions will only be seen in specific directions and need different compensation. All of this is done with the aspect in mind to make a speaker as linear as possible, with as little compromise as possible to the off-axis response. Therefore, the fundamentally good acoustic configuration helps us a lot to make as little compromise to either as possible. The bottom line is, the A500 and A700 audio reproduction is a huge step forward in quality.

Automatic ISO 226:2003 Compensation = Low Level Enhancement - LLE

It is well known and documented in research, that the perceived sound balance is dependent on the level at which sound is reproduced. Best example is that with traditional loudspeakers, when listening at quieter levels, there is very little experienced bass and treble reproduction, although at louder level the bass and treble is clearly present. Since we are in control of the entire sound-reproduction chain of the speakers, we can predict the exposed level of sound at the listeners ears, which means we are able to compensate for this effect completely and very accurately. However, we will only do this compensation at low levels (<70dB), where we know most listeners will not perform their critical listening. The outcome from this compensation is a smooth and constantly adapting timbre to the sound, so that it will also sound dynamic and impressive at lower levels, where you can have conversations at the same time during listening. This is a very well engineered feature primarily aimed at professorial use in studios. It allows the mastering engineers to work at lower volumes and still get a precise representation of the music. This allows for much longer work sessions without getting fatigued. For HiFi use, if you often listen at lower volumes this would be a game changer for you!

Bass extension

Another benefit from the use of active systems is the ability to extend the bass reproduction. We tune our systems to play as deep as we can justify given the amount of power available and which the cone/displacement allows us to do, without any distortion to the system. Our DSP will monitor the excursion and health state of each driver, and will adapt the processing dynamically, to ensure the output from each driver is always non-distorted and trimmed to perfection, regardless of the conditions.

Our use of closed cabinets for the A500 and A700 also effectively eliminates the problems occurring in ported systems, where the port at high SPL’s in many cases will become non-linear and unpredictable in terms of output and behavior. Because of our driver monitoring technology, we can extend the performance way beyond what can normally be achieved with a speaker of this size and structure, compared to more traditional designs. Therefore, do not be fooled by the compact sizes of these babies – they will hit way beyond their size.

During our research for the A500 and A700, we have tried a lot of different configurations in order to obtain the performance we wanted. In the end, we placed some drivers on the back side of the speakers. This has two purposes, from which only one of them is obvious. The obvious reason is that we want to have as much cone area as possible to be able to extend the bass-reproduction as much as possible with as little distortion as possible. The second reason is, that we use the rear drivers with a specially developed algorithm to perfectly align them with the remaining front-firing drivers, without causing any spatial problems to the acoustic dispersion. This allows us to use rear wall reflection to extend our sound image even further than traditional loudspeakers. The result from this is a larger and more precise sound image than you can achieve with traditional front-firing speakers.

In traditional hi-fi systems, a lot of effort is often spent finding the right combination of components, to meet the optimum performance. In most cases, this is done by ear in private homes - and takes up a lot of time and is quite costly with all the component exchange needed. At Buchardt, we decided to do this component matching for the system by scientific measures and systematic evaluation in our lab, to be sure we made the right choices.

DAC/Amplifier

This active system features two DAC chipsets to control the output channels. It uses the well renowned CS4398 chipset which, when configured properly, performs up to the best chipsets available. The DAC runs on its own regulated power supply to ensure the best possible performance and is linked directly with an amplifier chipset from Texas Instruments for optimum performance, clean reproduction and minimized distortion. The amplifier features a high-speed analog feedback loop, that ensures a bandwidth up to 100kHz and super-low distortion.

Amplifier/drivers

The amplifiers have a specially designed output stage, to perfectly match the driver load with the amplifiers. All of this has been taken into consideration during the acoustic tuning of the speakers – and the outcome is a perfectly matched combination between amplifier and drivers. The power output of each amplifier is 150W per channel, which should be more than enough to exploit the full potential of the system. Given the active nature of the speaker, the total power of the speakers will in real-world compare to much more powerful traditional systems due to no loss in cross-over networks.

Once components are matched, we base all our acoustic evaluations on this chain of components, so that we are always 100% sure what is reproduced. This is how we ensure that what our users will hear is also what we perfected in our lab. The only thing we are still cannot control is the environment the speakers are played in. Therefore, we still require our users to do a final calibration of the system, which will optimize the effects caused by the listening room.

Now this is cool and unheard of in the industry! With the flexibility of such powerful DSP, we are in complete control of what we want the speaker to do. This means, that we will provide downloadable master tunings to completely change the fundamentals of the speakers sound design.

So what does this mean?

The stock master tuning the A500 Signatures come with, is a 2.5 way design, tuned to 17hz at -6dB with a variable bass tuning. This means, if you play extremely loud, you can't expect two 6.5” woofers to generate 17hz. The system will then smoothly raise the low frequency cutoff with a very intelligent bass management system, so the woofers don’t break. The design of such bass management system is key to a natural sounding speaker at high SPL levels. Simple compressors don't do this. 

But what if your needs are different? What if you rarely play loud? Maybe you live in a smaller apartment where SPL is not important to you? Or maybe you are forced to place the speakers near wall boundaries? Here comes the Cardioid Mastertuning which is unique to the A500 Signatures. Cardioid is a pretty big subject. Basically we use the back woofer to cancel out lower frequencies from 90-300hz which is an area where speakers normally are omnidirectional. This lowers the room's interference with the speakers very much and gives you a very clean presentation in bass and lower midrange where a lot of vocals are. It does lower the output capabilities dramatically on the speakers as the back woofer no longer add more bass. They do 20hz at -6dB, so you still have plenty of deep bass, and even though it's a single Purifi woofer, It's surprising what they can output.

What if you want something where deep bass is not important, but SPL is? Maybe you want to use subs with them? Same thing; download a different mastertuning that do just that.

You can check out the different matertunings available which also can be found under our download section HERE

Here you can see a quick guide on how you change Mastertunings: